Let All the Children Boogie Read online

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  for David Bowie

  and David Mitchell

  Radio was where we met. Our bodies first occupied the same space on a Friday afternoon, but our minds had already connected Thursday night. Coming up on twelve o’clock, awake when we shouldn’t be, both of us in our separate narrow beds, miles and miles apart, tuning in to Ms. Jackson’s Graveyard Shift, spirits linked up in the gruff cigarette-damaged sound of her voice.

  She’d played “The Passenger,” by Iggy Pop. I’d never heard it before, and it changed my life.

  Understand: there was no internet then. No way to look up the lyrics online. No way to snap my fingers and find the song on YouTube or iTunes. I was crying by the time it was over, knowing it might be months or years before I found it again. Maybe I never would. Strawberries, Hudson’s only record store, almost certainly wouldn’t have it. Those four guitar chords were seared indelibly into my mind, the lonesome sound of Iggy’s voice certain to linger there for as long as I lived, but the song itself was already out of my reach as it faded down to nothing.

  And then: a squall of distortion interrupted, stuttering into staticky words, saying what might have been “Are you out there?” before vanishing again.

  Eerie, but no more eerie than the tingly feeling I still had from Iggy Pop’s voice. And the sadness of losing the song forever.

  But then, the next day, at the Salvation Army, thumbing through hundreds of dresses I hated, what did I hear but—

  “I am the passenger … and I ride and I ride—”

  Not from the shitty in-store speakers, which blasted Fly-92 pop drivel all the time. Someone was singing. Someone magnificent. Like pawn-shop royalty, in an indigo velvet blazer with three handkerchiefs tied around one forearm, and brown corduroy bell-bottoms.

  “I see things from under glass—”

  The singer must have sensed me staring, because they turned to look in my direction. Shorter than me, hair buzzed to the scalp except for a spiked stripe down the center.

  “The Graveyard Shift,” I said, trembling. “You were listening last night?”

  “Yeah,” they said, and their smile was summer, was weekends, was Ms. Jackson’s raspy-sweet voice. The whole place smelled like mothballs, and the scent had never been so wonderful. “You too?”

  My mind had no need for pronouns. Or words at all for that matter. This person filled me up from the very first moment.

  I said: “What a great song, right? I never heard it before. Do you have it?”

  “No,” they said, “but I was gonna drive down to Woodstock this weekend to see if I could find it there. Wanna come?”

  Just like that. Wanna come? Everything I did was a long and agonizing decision, and every human on the planet terrified me, and this person had invited me on a private day trip on a moment’s impulse. What epic intimacy to offer a total stranger—hours in a car together, a journey to a strange and distant town. What if I was a psychopath, or a die-hard Christian evangelist bent on saving their soul? The only thing more surprising to me than this easy offer was how swiftly and happily my mouth made the words: That sounds amazing.

  “Great! I’m Fell.”

  “Laurie,” I said. We shook. Fell’s hand was smaller than mine, and a thousand times stronger.

  Only then did I realize: I didn’t know what gender they were. And, just like that, with the silent effortless clarity of every life-changing epiphany, I saw that gender was just a set of clothes we put on when we went out into the world.

  And even though I hated myself for it, I couldn’t help but look around. To see if anybody else had seen. If word might spread, about me and this magnificently unsettling oddball.

  Numbers were exchanged. Addresses. A pick-up time was set. Everything was so easy. Fell’s smile held a whole world inside it, a way of life I never thought I could live. A world where I wasn’t afraid.

  I wanted to believe in it. I really did. But I didn’t.

  “What did you think that was?” Fell asked, in the parking lot, parting. “That weird voice, at the end of the song?”

  I shrugged. I hadn’t thought much about it.

  “At first I thought it was part of the song,” Fell said. “But then the DJ was freaked out.”

  “Figured it was just … interference, like from another station.”

  “It’s a big deal,” Fell said. “To interrupt a commercial radio broadcast like that. You need some crazy hardware.”

  “Must be the Russians,” I said solemnly, and Fell laughed, and I felt the world lighten.

  And that night, tuning in to Ms. Jackson, “This song goes out to Fell, my number one fan. Wouldn’t be a weeknight if Fell didn’t call asking for some Bowie. So here’s ‘Life on Mars?’ which goes out to Laurie, the girl with the mousy hair.”

  More evidence of Fell’s miraculous gift. A thousand times I’d wanted to call Ms. Jackson, and each time I’d been too intimidated to pick up the phone. What if she was mean to me? What if I had to speak to a station producer first, who decided I wasn’t worthy of talking to their resident empress? And who was I to ask for a song?

  Also, I loved “Life on Mars?” I wondered if Fell knew it, had read it on my face or smelled it on my clothes with another of their superhuman abilities, or if they had just been hoping.

  I shut my eyes. I had never been so conscious of my body before. David Bowie’s voice rippled through it, making me shiver, sounding like Fell’s fingertips must feel.

  I wondered how many times I’d been touched by Fell, listening late at night, trembling at the songs they requested.

  I remembered Fell’s smile, and stars bloomed in the darkness.

  But before the song was over, a sound like something sizzling rose up in my headphones, and the music faded, and a kind of high distortion bubbled up, and then began to stutter—and then become words. Unintelligible at first, like they’d been sped up, and then:

  “…mission is so unclear. I could warn about that plane crash, try to stop the spiderwebbing epidemic. But how much difference would those things make? I’m only here for a short—”

  Then the mechanical voice was gone. David Bowie came back. And just as swiftly was switched out.

  “Sorry about that, children,” Ms. Jackson said, chuckling. An old sound. How long had she been doing this show? She always called her listeners children, like she was older than absolutely everyone in earshot. I heard a cigarette snuffed out in the background. “Getting some interference, sounds like. Maybe from the Air Force base. They’re forever messing with my signals. Some lost pilot, maybe, circling up in the clouds. Looking for the light. Good time to cut to a commercial, I’d say.”


  Someone sang Friendly Honda, we’re not on Route Nine, the inane omnipresent jingle that seemed to support every television and radio program in the Hudson Valley. I thought of Fell, somewhere in the dark. Our bodies separate. Our minds united.

  “Welcome back to the Graveyard Shift,” she said. “This is Ms. Jackson, playing music for freaks and oddballs, redheaded stepchildren and ugly ducklings—songs by us and for us, suicide queens and flaming fireflies—”

  * * *

  Fell’s car smelled like apples. Like spilled cider, and cinnamon. Twine held one rear headlight in place. When we went past fifty miles an hour, it shook so hard my teeth chattered together. Tractor trailers screamed past like missiles. It was autumn, 1991. We were sixteen. We could die at any moment.

  The way to Woodstock was long and complicated. Taking the thruway would have been faster, but that meant paying the toll, and Fell knew there had to be another way.

  “No way in hell that was a lost pilot,” Fell said. “That interruption last night. That was someone with some insane machinery.”

  “How do you know so much about radio signals?”

  “I like machines,” Fell said. “They make so much sense. Does your school have a computer? Mine doesn’t. We’re too poor.” Fell went to Catskill High, across the river. “It sucks, because I really want to be learning how they work. They can do computations a million times faster than people can, and they’re getting faster all the time. Can you imagine? How many problems we’ll be able to solve? How quickly we’ll get the right answer, once we can make a billion mistakes in an instant? All the things that seem impossible now, we’ll figure out how to do eventually.”

  I lay there, basking in the warmth of Fell’s excitement. After a while, I said: “I still think it was the Soviets. Planning an invasion.”

  “No Russian accent,” Fell said. “And anyway I’m pretty sure the Cold War is over. Didn’t that wall come down?”

  I shrugged, and then said, “Thanks for the song, by the way.”

  Instead of answering, Fell held out one hand. I took it instantly, fearlessly, like a fraction of Fell’s courage could already have rubbed off on me.

  In that car I felt invincible. I could let Fell’s lack of fear take me over.

  But later, in Woodstock, a weird crooked little town that smelled like burning leaves and peppermint soap, Fell reached for my hand again, and I was too frightened to take it. What if someone saw? In my mind I could hear the whole town stopping with a sound like a record scratching. Everyone turning, pointing. Shouting. Pitchforks produced from nowhere. Torches. Nooses.

  Space grew between us, without my wanting it to. Fell taking a tiny step away from me.

  We went to Cutler’s Record Shop. We found a battered old Iggy Pop cassette, which contained “The Passenger.” Fell bought it. We went to Taco Juan’s and then had ice cream. Rocky Road was both of our favorite.

  Twilight when we left. Thin blue light filled the streets. I dreamed of grabbing Fell’s hand and never letting go. I dreamed of being someone better than who I was.

  As soon as the doors slammed, we switched on the radio.

  “Responding to this morning’s tragic crash of Continental Express Flight 2574, transport officials are stating that it’s impossible to rule out an act of terrorism at this—”

  “No shit,” Fell said, switching it off.

  “What?”

  “The voice. They said I could warn about the plane crash.”

  I laughed. “What, you think the voice in the night is part of a terrorist cell?”

  “No,” Fell said. “I think they’re from the future.”

  Just like Fell to make the impossible sound easy, obvious. I laughed some more. And then I stopped laughing.

  “Could be a coincidence,” I said.

  Fell pushed the tape in, pressed play. After our third trip through “The Passenger,” rewinding the tape yet again, they looked over and saw the tears streaming down my face.

  “It’s such a sad song,” I said. “So lonesome.”

  “Sort of,” Fell said. “But it’s also about finding someone who shares your loneliness. Who negates it. Cancels it out. Listen: Get into the car. We’ll be the passenger. Two people, one thing. Plural singular.”

  “Plural singular,” I said.

  I’m sorry, I started to say, a hundred times, and told myself I would, soon, in just a second, until Fell looked over and said: “Hey. Can I come over? I don’t feel like mixing it up with my mother tonight.”

  And that was the first time I ever saw fear on Fell’s face.

  * * *

  My parents were almost certainly baffled by my new friend, but their inability to identify whether Fell was a boy or a girl meant they couldn’t decide for sure if they were a sexual menace, so they couldn’t object to Fell coming upstairs with me.

  Three songs into the Graveyard Shift, Fell asked, “Can I spend the night?”

  I laughed.

  “I’m serious.”

  “Your mom wouldn’t mind?”

  “Probably she’d barely notice,” Fell said. “And even if she did, it’d be like number nine on the list of things she’d want to scream at me about the next time she saw me.”

  “Fine by me,” I said, and went downstairs to ask Mom and Dad.

  Big smile. Confident posture. Think this through. “Cool if Fell spends the night here?” And then, without thinking about it, because if I’d spent a single nanosecond on it I would have known better, stopped myself, I added: “She already called her mom, and she said it was okay.”

  They smiled, relieved. They’d both been sitting there stewing, wondering whether what was happening upstairs needed to be policed. Whether a sex-crazed-menace male was upstairs seducing their daughter. But no. I’d said she. This was just some harmless, tomboyish girl.

  “Yes of course,” Mom said, but I couldn’t hear her, just went by the smile, the nod, and I thanked her and turned to go, nausea making the room spin and the blood pound in my ears.

  I felt sick. Somehow naming Fell like that was worse than a lie. Worse than an insult. It was a negation of who Fell was.

  Cowardice. Betrayal. What was it, in me, that made me so afraid? That had stopped me from taking Fell’s hand? That made me frightened of other people seeing what they were, what we were? Something so small that could somehow make me so miserable.

  I was afraid that Fell might have heard, but Ms. Jackson was playing when I got back to my room, and Fell was on the floor beside the speaker, so that our hero’s raspy voice drowned out every shred of weakness and horror that the world held in store for us.

  We lay on the bare wooden floor like that for the next two hours. The window was open. Freezing wind made every song sweeter. Wood smoke seeped into our clothes. Our hands held tight.

  Six minutes before midnight, approaching the end of the Graveyard Shift, it came again. The sizzle; the static; the chugging machine noise that slowly took the shape of a human voice. We caught it mid-sentence, like the intervening twenty-four hours hadn’t happened, like it blinked and was now carrying on the same conversation.

  “—out there. I don’t know if this is the right … place. Time. If you’re out there. If it’s too late. If it’s too early.”

  “Definitely definitely from the future,” Fell whispered.

  “You’re so stupid,” I said, giggling, so drunk on Fell that what they said no longer seemed so absurd.

  “Or what you need to hear. What I should say. What I shouldn’t.”

  The voice flanged on the final sentence, dropping several octaves, sounding demonic, mechanical. Slowing down. The t sound on the last word went on and on. The static in the background slowed down too, so that I could hear that it wasn’t static at all, but rather many separate sounds resolving into sonic chaos. An endless line of melodic sequences playing simultaneously.

  The voice flanged back, and said one word before subsiding into the ether again:

  “—worthwhile�
��”

  Control of the radio waves was relinquished. The final chords of “Blue Moon” resurfaced.

  “There’s our star man again,” Ms. Jackson said with a chuckle. Evidently she’d had time to rethink her Air Force pilot theory. “Still lost, still lonely. I wonder—who do you think he’s looking for? Call me with your wildest outer space invader theories.”

  “Want to call?” Fell whispered.

  “No,” I said, too fast, too frightened. “My parents are right across the hall. We’d wake them.”

  Fell shrugged. The gesture was such strange perfection. Their whole being was expressed in it. The confidence and the charm and the fearlessness and the power to roll with absolutely anything that came along.

  I grabbed Fell’s hand. Prayed that some of what they were would seep into me.

  Fell touched my mousy hair. Sang softly: “Is there life on Mars?”

  “We’ll find out,” I said. “Right? Machines will solve all our problems?”

  * * *

  At school, two days later, during lunch, I marched myself to the library and enrolled in computer classes.

  * * *

  “Shit,” Fell said, pointing out the window, driving us home through snowy blue twilight.

  Massive green Air Force trucks lined a long stretch of Route 9. Flatbeds where giant satellite dishes stood. Racks of cylindrical transformers. Men pacing back and forth with machines in their hands. None of it had been there the day before.

  “What the hell?” I said.

  “They’re hunting for the voice in the night too,” Fell said.

  “Because it’s part of a terrorist cell and knew about a plane crash before it happened.”

  “Or because it’s using bafflingly complex technology that could only have come from the future,” Fell said.

  Then they switched on the radio, shrieked at what they found there. Sang-screamed: “Maybe I’m just like my mother, she’s never satisfied.”